Red Giant Magic Bullet Looks Tutorials
- Getting Started tutorial with Magic Bullet Looks
- Getting Started with Magic Bullet Looks in Final Cut Pro
- Getting Started with Magic Bullet Looks in FCPX
- Motion Graphics with Magic Bullet Looks
- Getting Started with Simon Walker’s Master Artists for Looks
- Balancing Colors in Looks
- Old Film – Working with Retrograde and Looks (FCPX)
- News Graphic, Erupt Music Video Breakdown, Plastic Bullet OS X
- Working with Looks Presets in Magic Bullet Looks
- Glassy Look with Magic Bullet Looks
- Using the Fill Light Tool in Magic Bullet Looks
- In Like Flynn with Magic Bullet Looks
- Getting Started with Eric Escobar’s Indie Film II for Looks
- What’s New in Magic Bullet Looks
- Getting Started with Magic Bullet Looks
- Managing Presets in Magic Bullet Looks & PhotoLooks
- Using the Auto Shoulder Tool in Magic Bullet Looks
- Color Grading in Final Cut Pro with Magic Bullet Looks
- Using Vignettes in Magic Bullet Looks
- Royal Wedding Looks
- The Making of Form 17
- Order Up – Beam Out Effect – Pt. 2
- Superpowers – Single Bound
- Superpowers – School of Rock
- Extreme Balloon Time!
- Realistic Dust Hits
- Weapons of Mass Construction – Nail Gun Effect
- Soylent Screen – The Secret Ingredients for a Filmed Computer Screen Look
- Web Line Escape: Spider-Man Web-Slinging Effect
- Minor Traffic Offense: Keeping the Streets Safe with VFX
- Video to Cartoon – Getting Better Results
- Captain Numerica – Finishing 3D Logos in After Effects
- Adding Digital Distortion to Your Footage
- Creating a Classic Retro Special Presentation Logo Animation
- Old VHS Look
- Cosmodius – Creating a Retro Sci-fi Logo Animation
- Animating a Look
- First Issue Credits – Comic Book Title Sequence
- Motion Graphics with Trapcode Echospace
- Sketchy Stop-Motion Text Look
- Swarm of Flies
- Punch Out
- Plot Device – The Exploding Man
- Nick Campbell & Andrew Little Talk Making Money as an Artists + FAST Motion Graphics
- VFX for Indie Film with Seth Worley, Gun Muzzle Flashes with Trapcode Particular
- Plot Device – Thunderdome
- Coloring for Horror
- Plot Device – The Flip
- Color Grading on a Deadline in Final Cut Pro
- Adding Life to Interview Footage
- Compositing and Color Correction in After Effects and Premiere Pro
- Managing Filters in Final Cut Pro
- Broadcast Graphics in Final Cut Pro
- Showing the Filter Bar in Final Cut Pro
- Look, No Keyframes! Easy Motion Graphics in Final Cut Pro
- Faster Rendering in Final Cut Pro
- Working with Magic Bullet Colorista, Mojo & Looks in FCP
- Creating Custom Tools in LooksBuilder
- Grunging Up Text in Final Cut Pro
- Old Film Look
- Tiny Inventions
- Sharing Looks Across Apps
- Chromatic Aberration
- Creating a Holographic Interface Effect
- Creating a Death Eater Apparition Effect
- Building an Airport Scene – Part 2: Compositing
- Creating a Summer Blockbuster Film Look
- Creating a Transporter Effect
- Compositing Tips from ‘Greenscreen Made Easy’
- Planning for Post in your Filmmaking Production Workflow
- Controlling Time with Audio – Pt. 2
- Better Compositing Techniques
- Binary Transition Part 2
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